Criticaly review the popular opinion of prison life with those who Literature

Criticaly the prominent sentiment of jail existence with the individuals who have been detained in the UK (subject criminology) - Literature survey Example This hypothesis likewise underlines the significance of casualties and guilty parties meeting each other up close and personal, permitting them to voice their issues and encounters so as to in the long run accomplish commonly upheld goals. Therapeutic equity depends on different indigenous societies, societies which apply customs identifying with otherworldliness and all encompassing mending (Sharpe, 1998). It likewise utilizes the non-retributive commitments identifying with hurt, upheld by different religions and societies. As a rule in this way, penology dependent on this hypothesis tries to make sure about a harmony between the wrongdoer and irritated gathering (Cavadino and Dignan, 2006). Helpful equity hence incorporates the idea of discipline. Penology structures by society incorporate detainment, the installment of fines, and whipping as a methods for accomplishing the standards of helpful equity. Inside the idea of therapeutic equity thusly, the impression of society and of imprisoned people will be tied down, particularly regarding the real effect of detainment on detainees. (interface between helpful equity and discipline) In understanding therapeutic equity, be that as it may, it is critical to comprehend the criminal equity framework and its underlying applications in the UK society. Correctional arrangement in the UK experienced different advances with an end goal to help the Church of England against free thinkers, generally by executing relinquishments, common arrangements, and common handicaps (Morrill, 1996). From the nineteenth century, critical changes have been distinguished in the criminal equity framework. During Queen Victoria’s rule, significant scholars like Edwin Chadwick considered the criminal wrongdoer as people having a place with the common laborers who would not like to enter a genuine full day’s work, and who liked to drink and be inert (Mantle, et.al., 2005). The mid-nineteenth century invited the term

Bon-a-Matic

Likewise, the organizations that purchase cement are frequently little firms and there gives off an impression of being no connection with firm size and the measure of glue to purchase, so formulating an advertising plan with creation numbers and focusing on explicit clients will be troublesome. In spite of the fact that the frameworks division had structured both Bond-A-Matins, they questioned they had the ability to rapidly fabricate huge amounts. Further, the frameworks division was stressed that it would be overpowered with calls for help for the new dispenser.If the organization propelled Bond-A-Mantic and couldn't then sufficiently support or give the item, the organization's image would be discolored. 72% of buyers from merchants and producers said that specialized help was significant in their decision of moment glue provider. Likewise, the present deals power may not be as keen on finding out about and selling the Bond-A-Mantic as It doesn't generally sell hardware. In any c ase, basically a business require the sole reason for selling the Bond-A-Mantic Is not savvy so just existing clients can be focused through the business force.Further, they might not have the opportunity during the call to push the Bond-A-Metal or all the more significantly, it might get subbed. Should the item fall, the comparability of the name among Suborned and Bond-A-Metal may demolish the current brand acknowledgment. Additionally, Fox's publicizing objective Is an Industry bunch that as of now utilizes under 273501b of glue with complete development potential around 15. 2-18% In client foundations. Furthermore, just 3% of clients bought straightforwardly from makers and 2% of clients bought from merchants. So wholesalers would need to be persuaded to stock Bond-A-Metal.Given the little size of the objective market and income potential, the dangers of propelling the Bond-A-Metal far exceed the potential advantages. Bon-a-Mantic By sandalwood Also, the present deals power may not be as keen on finding out about and selling the Bond-A-Mantic as it doesn't customarily sell gear. Be that as it may, most importantly a business require the sole motivation behind selling the Bond-A-Mantic isn't cost hello might not have the opportunity during the call to push the Bond-A-Mantic or all the more critically, it might get substituted.Should the item fall flat, the comparability of the name among Suborned and Bond-A-Mantic may demolish the current brand Also, Fox's publicizing objective is an industry bunch that right now utilizes under 27,Bibb of cement with complete development potential around 15. 2-18% in client persuaded to stock Bond-A-Mantic. Given the little size of the objective market and income potential, the dangers of propelling the Bond-A-Mantic far exceed the potential

As The Saying About Assumptions Goes

As The Saying About Assumptions Goes Assume = Ass + U + Me. Assumptions, generalizations, stereotypes: they have no business in the admissions process in either direction. First, an applicant should never assume something to be true about a school unless he or she has verified it with a primary source. Serving as said primary source, I can tell you that no, MIT doesnt have the highest suicide rate. No, MIT students dont work all the time. No, MIT doesnt offer only math and science. No, MIT isnt male-dominated (09 is 47% women). Second, and equally important, admissions personnel should never make assumptions about applicants. At the Harvard Admissions Institute (for which I still owe you the summary, I know) we had a group discussion on the topic of extra-curricular activities. We collectively lamented the fact that todays society pressures applicants into doing things just to get into college instead of encouraging them to follow their hearts and true passions. I mentioned to the group that at MIT we look for (and reward) the latter when we read, and that one of my favorite admits listed daydreaming as his first extra-curricular activity (theyre listed in order of priority). (Well pause here to clarify for the record that every component of his application was exemplary, including significant accomplishments at a full-time job that he balanced with his high school curriculum. Obviously this person wasnt admitted to MIT for being good at daydreaming. But the fact that he possessed the self-confidence to tell us that he prioritized daydreaming over his other phenomenal accomplishments said a lot about balance which was my point in bringing it up at Harvard.) Anyway, a senior admissions officer from a very prestigious university (which shall remain nameless) responded with a flippant comment in which it was quite clear that hed assumed my admit to be some rich private school kid who could afford (his word) to list daydreaming as his favorite activity. Do you think Im overreacting to have found this a bit appalling? I cant figure out which side of it annoys me more the implication that lower/middle-class kids cant or shouldnt make time to daydream, or the implication that kids from more affluent backgrounds can afford to be lazy or unmotivated. Ridiculous generalizations in both cases. Ill tell you this I was never more proud to work for MIT than I was at that moment. Because we do not make assumptions. Maybe its because we believe so strongly in verifiable data here maybe its simply because were human beings but you would never hear someone in our office generalize an applicant in response to hearing a tiny fraction of his or her story. In the spirit of the two-way street, I ask the same of you guys. Dont believe everything you hear about MIT if its been filtered through the grapevine (or even the media for that matter). Come and ask us directly. Verify your data with reliable sources. We promise to do the same.

Grapes of Wrath - Henry Liddy - Free Essay Example

Sample details Pages: 7 Words: 2159 Downloads: 2 Date added: 2019/05/13 Category Literature Essay Level High school Tags: Grapes of Wrath Essay Did you like this example? Produced by Darryl Zanuck, The Grapes of Wrath is a film with a simple plot, covering the timeless issues of social justice, inequality of wealth, and famine. The film follows the Joad Family and their friends as they migrate westward from their parched farms and destroyed lands to the opportunity of California. The family has heard there are jobs to be filled in The Golden State. Don’t waste time! Our writers will create an original "Grapes of Wrath Henry Liddy" essay for you Create order The novel gave rise to some issues people at the time were hesitant to acknowledge such as the conditions of migrant camps along the route from the Dust Bowl to the coast and broader issues revolving around The Great Depression. I will seek to prove that all major parties involved in the making of the film Darryl Zanuck, John Ford, John Steinbeck and Nunnally Johnson wanted to introduce the country to a different kind of film, one which was often times hard to look at, holding up a mirror to a society theyd come to the theater to escape. Proceeding the acquisition of the rights to the book from any major Hollywood studio, protests were already being staged throughout the states portrayed in the novel such as Oklahoma and Illinois. As remembered by Rudy Behlmer from the Alex Film Society,it was banned in several places ordered burned in East St. Louis Illinois, attacked by an Oklahoma congressman, and condemned by the California Chamber of Commerce (1). Protesters went as far as to demand a boycott of all future 20th Century-Fox releases. On top of this controversy, The Agricultural Council of California in tandem with the Associated Farmers of California took out ad space in rural newspapers calling for [the] boycott of a novel which people suspected Hollywood executives had their eyes on (1). Zanuck, unintimidated by the acts of protest, bought the screen rights for $70,000 and quickly sought out talent to carry out the job. Nunnally Johnson was his first hire who was assigned as both an associate producer and screenwriter. Nunnallys take on the film is more hopeful than the novel, as he is quoted saying the only real change I made and I had to make it was in the ending. There had to be some hope (1). Riddled with controversy from the start, Zanuck and Ford used a pseudonym for the film, Highway 66. The production was referred to by this title in the script and by those on-set. Steinbecks novel left people in the Dust Bowl feeling misrepresented as it cast them as desperate, living an archaic way of life. Oklahoma Congressman Lyde Bored went as far to call the book a lie, a black, infernal creation of a twisted, distorted mind (2). No one involved with the making of the film seemed to want to cause harm, but instead, to begin a conversation. This is not entirely true though, as Zanuck did encourage the controversy by perpetuating the argument over censorship, as he thought it would bring the project notoriety. I will begin by talking about John Steinbeck, a beloved and prolific author responsible for some of the most recognizable pieces of social-political work such as Animal Farm, Of Mice and Men, East of Eden, and of course, The Grapes of Wrath, all of which were carried from page to screen. Steinbeck was known to have a knack for the way people spoke, picking up phrases and jargon as he observed each new group of people. In 1962, just six years prior to his young death, Steinbeck was awarded a Nobel Prize in Literature for his revealing humor and keen social perception (5). Born in California, Steinbeck would build a career writing critically about American life, specifically west-coast living. Steinbeck had the particular skill of empathizing with a way of life foreign to his own. His work was usually more interested in the layman world rather than that of the bourgeoisie. In Of Mice and Men, Steinbeck pens the story of two migrant workers who move to California looking for work during the Great Depression. This premise, which is strikingly similar to The Grapes of Wrath, remained the main lane Steinbeck traveled in, infrequently deviating beyond these fields of interest. Regardless, he did groundbreaking work in these fields, stirring controversy with nearly every release. His focus on the underdog often teetered into sympathy which the average American reader was unwilling to grapple with. Author Warren French, in his book Filmguide to Grapes of Wrath, claims Steinbecks novelprovided him a perfect vehicle for exploiting Americans guilt about social inequality (2). Despite this, he was accused on multiple occasions of misrepresenting the groups of people he chose to write about. Director of Wrath, John Ford, had similar controversy surrounding his name, as he was one of the pioneers and frequent users of the western genre. Fords filmography is cluttered with stories of nameless Native Americans and glamorized cowboys typical of the genre at the time, which has in modern years been properly problematized. Despite the convoluted politics surrounding his work, it isnt to say that Ford was a man unconcerned with justice or morality. In fact, he regarded himself an Irish Rebel indebted to the lower class and hellbent on doing them justice through accurate representation and relevant issues. He is quoted saying, I like, as a director and spectator, simple, direct, frank films. Nothing disgusts me more than snobbism, mannerism, technical gravity and, most of all, intellectualism (5). For this reason, Ford made films that were accessible to all, not veiled in some ambiguous artistic cloak. Ford considered himself an Irish rebel due to the influence his heritage had on him. He sympathized with the Irish and their history, particularly an era when the population was living under British occupation for 100s of years. According to Joseph McBride in his biography Searching for John Ford, Ford despised cops for this reason (6). He was particularly sympathetic to the years his ancestors spent in famine, citing that as a reason he moved forward with the screen transition of Wrath (6). But, when Wrath was released, theatergoers at the time were more used to escapism and grand-scale action so Wrath served as a change of pace. Not to say that Ford was alone in picking at the threads of society the same year Wrath was released, Charlie Chaplin captured the world with the harsh and reflexive The Great Dictator. Ford though preferred a more subdued style, letting the content take center stage. This is very much the case with Wrath. The cinematography seems to be the only impositio n of style into the story. Ford was not the only confusing and ever-changing person behind the scenes of Wrath. Darryl Zanuck, similarly to Ford, welcomed controversy. And, when involving Wrath, Zanuck sought it out. After scooping the rights to the novel for $70,000 just a week after publication, Zanuck assured the public, to their dismay, that the film will, in fact, enter production and be released (3). As I briefly covered above, protests were not only invoked by the book but also by talks of a film adaption. After the Studios bidding war, which the public assumed was a stunt to grab the rights and shelve the book, Zanuck proudly scoffed, Show me the man who can prove I would pay $75,000 to throw away a book and Ill make a movie of him. (3). Zanuck did not act in pure virtue though. It was suspected at the time that Zanuck was hungry for a hit. Following a successful but turbulent stint at Warner Bros., he left the Studio due to financial dissatisfaction and was in search for new work (2). It was not long before he hunkered down at 20th Century Pictures where he got to work on what would be his most discussed adventure The Grapes of Wrath. Zanuck was no stranger to stirring the pot. He incited public outpour in the past with films such as Ham and Eggs at the Front, which featured a character in blackface, and The Fugitive from a Chain Gang, which portrayed the inhuman conditions of prison and sympathized with an outlaw on the run. So, when it came to Wrath, it was only proper that Zanuck leaned into the controversy surrounding it. Now that we have a general understanding of the main players in the saga of Wrath from page to screen, I will now further discuss my findings. Interestingly, Zanuck and Ford took careful consideration of the story and representation despite appearing brandish to the press. Before production began, Zanuck sought to find truth in the Steinbecks desperate portal of the Okies. Zanuck commissioned private investigators to travel slightly east, along the active path of migration. He demanded to know the true conditions of the migrants. They were instructed to go to migrant camps and take notes on what they saw. To his surprise, the investigators came back with a startling revelation the conditions at the camps were drastically worse than displayed in the novel. Knowing this, Zanuck felt more comfortable and compelled to push ahead with the production of Wrath. He was quick to cue in the public on this fact, attempting to ease outrage and encourage anticipation (3). In the lead up to production, with pre-production nearly under wraps, Zanuck and Ford demanded tight-lipped privacy. Multiple measures were taken to ensure the contents of the script and chosen locations were kept secret. Nunnally penned the script under the name Highway 66 and until the product was finished, only three copies were distributed each time: one for Zanuck, one for Ford, and one for Henry Fonda. The copies were to be kept to themselves (2). Once production began, it was also veiled in secrecy. Every copy of the script was collected at the end of each shooting day. Not to mention, a large a portion of the budget was dedicated to replicating the Dust Bowl in the back of a stage lot so the media was unaware of what they were shooting (1). They even went against code formalities and left certain on-location sets unnamed. Much of the reason Zanuck and Ford were insistent on secrecy was due to the brutality of the story they were trying to tell. The public, along with the MPAA, demanded a softer version of Steinbecks novel, one that dismissed much of the profanity in favor of adventure and companionship (3). Despite this desire, the two did not want to dull the cruelty of the novel and promised Steinbeck they would do no such thing. Within the week before Zanuck bought the rights, Steinbeck proclaimed, I am quite sure no picture company would want this new book whole [but] it is not for sale any other way (2). Due to Steinbecks trepidations regarding the adaption and the softening of its content, Zanuck promised him there would be no dodging the grim truth of the book. Following the release, Steinbeck was quick to give his opinion: It looks and feels like a documentary film and certainly it has a hard, truthful rind, No punches were pulled. Zanuck has more than kept his word. He has a hard, straight pi cture. Despite Steinbecks satisfaction and the financial success of the film, the picture was met with polarized critics and fans. Grace Liechinger, in her Wall Street Journal review of the film, claimed it to be,a nihilistic assault on a childs or parents sensibilities. But, in the same vein, many also recognized the importance from its release. In his 1940 review of the film featured in The Evening Herald, Jimmy Starr acclaimed Wrath to bestinging like a dramatic lash across the face John Steinbeck [slurs] at California with Hollywoods most controversial drama (9). Another critic credited the film to a candid presentation of the horrors the migrants faced. Most notably, critic Frank S. Nugent had it right when he claimed Wrath, from the moment of its release, claimed a spot on the shelf along the most vital pictures ever released (10). No matter which angle you look at it from, the film inspired conversation and influence that was rare. In nearly every review published from the release, critics were compelled to talk about the loyalty to the content of the book, whether for good or bad. They also frequently mentioned the controversy that ensued during the bidding war. Critics rarely distanced the film from Steinbeck, as most mentioned and spent time covering the source material and anecdotes from the adaption, as well as credited him with the stark and critical notions of American society which made its way to screen. From reading and assembling reviews, interviews, and books about the subject, it appears Zanuck and Ford wanted to accurately turn a novel concerned with social justice into a film with similar consideration. And, despite the circus that ensued, they delivered a film that was both conscientious of its subjects and the audience. As noted in The Great Film Series, Paul G. Rotha Richard Griffith are quo ted from their book The Film Till Now acknowledging that for the first time, millions of Americans saw their faces, and their fate, on the entertainment screen (8).

The Great Gatsby Thesis By F. Scott Fitzgerald - 943 Words

The Great Gatsby Thesis The 1920s, often deemed the â€Å"Roaring 20s,† took place in the middle of the Prohibition Movement. Prohibition was a constitutional ban on the sale, production, and consumption of alcoholic beverages resulting in a large supply of cheap alcohol and a high demand for it. Society was becoming corrupt and inhibited. F. Scott Fitzgerald’s work, The Great Gatsby, is set in this very time period. The main character, Jay Gatsby, who at first appears to be a wealthy businessman is symbolic of the 1920 society. In the beginning of the novel, Fitzgerald reminds the reader not to judge too harshly, â€Å"Whenever you feel like criticizing any one†¦just remember that all the people in this world haven’t had the advantages that you’ve had† (Fitzgerald 1). Through Jay Gatsby’s characteristics of deceitful charisma, persuasion, and his fateful death, Fitzgerald portrays the 1920s society as the decline of the American dream. Jay Gatsby uses networking and flawed facts to create his 1920s â€Å"Oxford man† attitude and persona which displays the superficiality of 1920 society. Gatsby gained his wealth through the illegal activity of selling alcohol during Prohibition. His romantic reputation proceeds him before we even meet him the novel. â€Å"In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the starts† (Fitzgerald 39). He hosted lavish, rather unrealistic parties that â€Å"†¦were bigger. 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Vidding and Copyright Infringement Free Essays

Many people have become semi famous from others vidding content that they uploaded or appeared in. A few semi famous people, extra ordinary personalities, that come to mind are the Double Rainbow Guy, aka Yosemitebear, Sweet Brown, and Antoine. Without â€Å"vidding† these people would not have had any fame or acknowledgement whatsoever. We will write a custom essay sample on Vidding and Copyright Infringement or any similar topic only for you Order Now There is a fine line between copyright infringement and vidding. One factor that I think plays an important role in differentiating the two is if a video is modified from its original version and an artistic twist is added. Art is intellectual property, and by adding your own property to it, makes it your own. The Double Rainbow video is a great example. This video was up on the YouTube sight for quite some time before being discovered by talk show host Jimmy Kimmel who posted a tweet with the YouTube link on his Twitter account. From there the video spread like wildfire and people were interviewing the maker of the, Paul Vasquez a Yosemite Park resident. Three days later, a well-known auto tuner made a remix video with a song out of the double rainbow video. The song was made available on ITunes and the profits are split 50/50 with Paul Vasquez, who made the original video and the remix auto tuner, known by user name schmoyoho. When the person vidding the original pays royalties or splits profits, then I think this is not copyright infringement because they are paying their dues. If a person profits from using the original version in their new formatted version, then they should have to pay the original owner a portion, it is only fair. I think this is the fine line between self-expression, freedom of speech, and copyright infringement. If you are looking to profit from the content without consent than that is unethical. However, if you are adding your own perception of a television show or video just to express your point of view then this falls under freedom of speech. With social media more popular than ever, there are millions of people copying and sharing original tweets of Facebook posts. We are absolutely unable to monitor every person’s tweets and posts. With such a broad spectrum of what falls under copyright infringement and what falls under self-expression, we as adults have to be able to use judgment based on ethical reasoning. Lawrence Kohlberg categorized different stages of moral development. People have to use their morals and ethical reasoning to draw a line under the copyright laws. You know when you are stealing someone else’s ideas. The bottom line is that credit should be given where credit is due. References: http://knowyourmeme. com/memes/double-rainbow Lawrence, A. T. Weber, J. (2011). Business and Society: Stakeholders, Ethics, Public Policy (13th ed. ). New York: McGraw-Hill/Irwin. ISBN: 978-0-07-813715-0 How to cite Vidding and Copyright Infringement, Papers

Psychological Explanations Of Anorexia Essay Example For Students

Psychological Explanations Of Anorexia Essay By: Anonymous It seems today that eating disorders are on the rise. While this may be true, the numbers may appear to grow only because more cases are being brought out into the open. The purpose of this paper is to discuss eating disorders and prove the these disease, specifically Anorexia Nervosa, continue to plague of women due to psychological and environmental factors along with pressure from the media. The term Anorexia Nervosa is misleading. It means loss of appetite due to nerves. But people with anorexia dont actually lose their appetite until the late stages of their starvation. Until, they do feel hungry, but they just wont eat. People affected by anorexia have an extreme fear of gaining weight. In addition to drastic dieting, they may resort to vomiting and the use of laxatives and diuretics to lose weight. Statistics show that many teens and young adults suffer from anorexia nervosa. Without treatment, anorexia nervosa can cause serious health problemseven death! The sooner treatment begins the better the chances for a full recovery. The person with another anorexia is a model child. He/She is well behaved, eager to please, and a good student who gets along well with her peers. She rarely admits that anything is wrong or that anything is wrong or that she/he extra helps. Behind the mask is an insecure, self-critical perfectionist who feels unworthy of any praises she receives. A person who has anorexia is also very concerned about whether other people like her. Occasionally, she feels that theres something wrong with her- that shes bad or that her thoughts are disgusting. (PennSAHIC) One interpretation of an eating disorder is termed as a relationship between the person and food the appears abnormal. Anorexia Nervosa is one of the most prevalent eating disorder decease. The definition of Anorexia, Dr. Barton J. Blinder gives an interpretation similar to this: Anorexia is an all-encompassing pursuit of thinness, occurring most often in adolescents and young adult woman. This is accomplished by avoidance of eating by any means possible. The person affected by Anorexia has an absolutely terrifying fear of becoming obese. In short, food becomes the enemy; one researcher described Anorexia as weight phobia. (noah.cuny. edu/wellconn/eatdisorders.html) Some experts believe that a fear of growing up is the root of the problem. Other experts see the disorder as a subconscious rebellion against parents whove set standards that are too high. All experts agree that food is not the central problem. There is evidence that people with anorexia secrete abnormal amounts of various hormones. But, many researchers believe these imbalances are the results of emotional stress and severe dieting, not the case of them. In our culture, thin is in and dieting is normal behavior. The pressure to be the best may also be a factor in the disorders development. (PennSAHIC) People who intentionally starve themselves suffer from an eating disorder called anorexia nervosa. The disorder, which usually begins in young people around the time of puberty, involves extreme weight lossat least 15 percent below the individuals normal body weight. Many people with the disorder look emaciated but are convinced they are overweight. Sometimes they must be hospitalized to prevent starvation. An example of this will be illustrated in the following story: Deborah developed anorexia nervosa when she is 16. A rather shy, studious teenager, she tried hard to please everyone. She had an attractive appearance, but was slightly overweight. Like many teenager girls, she was interested in boys but concerned that she wasnt pretty enough to get their attention. When her father jokingly remarked that she would never get a date if she didnt take off same weight, she took him seriously and began to diet relentlessly- never believing she was thin even when she became extremely underweight. Soon after the pounds started dropping off, Deborahs menstrual periods stopped. As anorexia tightened its grip, she became obsessed with dieting and food and developed strange eating rituals. Every day she weighted all the food she would eat on a kitchen scale, cutting solids into minuscule pieces and precisely measuring liquids. .u05567ab2fc5095072d255afe7f910bf9 , .u05567ab2fc5095072d255afe7f910bf9 .postImageUrl , .u05567ab2fc5095072d255afe7f910bf9 .centered-text-area { min-height: 80px; position: relative; } .u05567ab2fc5095072d255afe7f910bf9 , .u05567ab2fc5095072d255afe7f910bf9:hover , .u05567ab2fc5095072d255afe7f910bf9:visited , .u05567ab2fc5095072d255afe7f910bf9:active { border:0!important; } .u05567ab2fc5095072d255afe7f910bf9 .clearfix:after { content: ""; display: table; clear: both; } .u05567ab2fc5095072d255afe7f910bf9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u05567ab2fc5095072d255afe7f910bf9:active , .u05567ab2fc5095072d255afe7f910bf9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u05567ab2fc5095072d255afe7f910bf9 .centered-text-area { width: 100%; position: relative ; } .u05567ab2fc5095072d255afe7f910bf9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u05567ab2fc5095072d255afe7f910bf9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u05567ab2fc5095072d255afe7f910bf9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u05567ab2fc5095072d255afe7f910bf9:hover .ctaButton { background-color: #34495E!important; } .u05567ab2fc5095072d255afe7f910bf9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u05567ab2fc5095072d255afe7f910bf9 .u05567ab2fc5095072d255afe7f910bf9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u05567ab2fc5095072d255afe7f910bf9:after { content: ""; display: block; clear: both; } READ: The clearinghouse on child abuse and neglect infor Essay She would then put her daily ration in small containers, lining them up in neat rows. She also exercised compulsively, even after she